![]() ![]() the use of a wider range of dynamics, for example from ppp to fff, supported by large orchestration.Program music became somewhat more common.the use of new or previously not so common musical structures like the song cycle, nocturne, concert etude, arabesque and rhapsody, alongside the traditional classical genres.increase in virtuosic players featured in orchestrations. ![]() large, grand orchestras were common during this period.a harmonic structure based on movement from tonic to subdominant or alternative keys rather than the traditional dominant, and use of more elaborate harmonic progressions (Wagner and Liszt are known for their experimental progressions).a greater emphasis on melody to sustain musical interest.discontent with musical formulas and conventions.a new attention given to national identity. ![]()
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